2024
- The fever dream: An interview with Jonathan Monaghan – Medium(interview with Anna Seaman)
2023
- Seeking the Digital at PHOTOFAIRS – arcade project(review by Roman Kalinovski)
- Wildest Dreams – Home & Design(feature by Sharon Jaffe Dan)
2022
- On Monaghan’s Opulence and the World of Digital Art: A Baroque Allegory of Neoliberalism(essay by İpek Yeğinsü)
- Jonathan Monaghan ile katmanlar, kıvrımlar ve Şaşaa üzerine – Bant Mag(interview with Biçem Kaya)
- Artist Voice: Jonathan Monaghan – PhotoFairs Shanghai(interview with PhotoFairs)
- Phillips Collection spotlights Jonathan Monaghan’s restless vision – The Washington post(review by Mark Jenkins)
2021
- Le chef-d’œuvre du moment : “Den of Wolves” de Monaghan – artpress(review by Dominique Moulon)
- Jonathan Monaghan, 2021 Sondheim Finalist – BmoreArt(review by Suzy Kopf)
2020
- Schlechte Träume und Nintendo Die Mythologie des Jonathan Monaghan – gallerytalk.net(interview with Julia Meyer-Brehm)
- Jonathan Monaghan in conversation with Alexandra Gilliams – XIBT Contemporary Art Magazine(interview with Alexandra Gilliams)
- Greta, crude oil and animal farming: behind a climate-conscious Armory show – The Guardian(review by Nadja Sayej)
- A Trace Left by the Future(video interview with Anna Nova Gallery)
2019
- An Eerie Feeling of Familiarity Jonathan Monaghans Futuristic Vision in Lowell – artscope Magazine(review by Isabel Barbi)
- New Myths: Jonathan Monaghan Interviewed – BOMB Magazine(interview with Sean Capone)
- Jonathan Monaghan: distopias hiper-capitalistas – elemmental(profile by Danielle Cruz)
- A Revelatory Exhibition by D.C. Artist Jonathan Monaghan – Washington Post(review by Mark Jenkins)
- Out of the Abyss reimagines ancient apocalyptic symbols for the modern day – It’s Nice That(profile by Jyni Ong)
2018
- Jonathan Monaghan: Utopia & Deceit – Elephant Magazine(interview with Louise Benson)
2017
- Jonathan Monaghan: The Disco Beast – The Brooklyn Rail(review by Alex A. Jones)
- Disco Beast: Jonathan Monaghan at Bitforms Gallery – Arte Fuse(review by Ariana Akbari)
- A Conversation with Jonathan Monaghan – The Conversation Project(interview with Brett Wallace)
- Artist Spotlight: Jonathan Monaghan(interview with Virginia Gordon)
- Interview with Jonathan Monaghan – sofrischsogut(interview with Annekathrin Kohout)
2016
- Monument to our Futuristic Past – Bmore Art(interview Mike Iacovone)
- Mothership: Familiar Sights Made Strange – The Hoya(review by Hannah Kaufman)
- Shiny fantasy worlds, undercut by body parts and company logos – Washington Post(review by Mark Jenkins)
- Suspended, détours d’horizons – Libération(review by Clémentine Mercier)
- Sundance 2016: Pillow Talk with Jonathan Monaghan – Adobe(video interview with Jonathan Hyla)
2015
- Tripping Through a Luxurious Post-Human Future – Hyperallergic(review by Benjamin Sutton)
- On Demand 3 – Metropolis M(review by Laurence Scherz)
2014
- An Interview with Jonathan Monaghan – Conversations at the Edge(interview with Kayla Lewis)
- Jonathan Monaghan İle Samimi Bir Sohbet – Artful Living(interview with Billur Tansel)
- Jonathan Monaghan: Man Without a Movie Camera(blog post written for Crystal Bridges Museum)
- The State of ‘State of the Art’ – Wall Street Journal(review by Peter Plagens)
- Is It Propaganda? Or Is It Political Art?; Alien Fanfare – Washington Post(review by Mark Jenkins)
2013
- Interview: Jonathan Monaghan is unmasking ideology with 3D animation – Gamescenes(interview with Matteo Bittanti)
- Embezzling the (un)real. Jonathan Monaghan(essay by Sarah Corona)
- Kijken kijken, niet kopen (Look, but do not buy) – Metropolis M(review by Julia Geerlings)
- A Brief Technological and Historical Note(essay by Jeremy Couillard)
2012
- Jonathan Monaghan twists video games at Curator’s Office – Washington Post(review by Mark Jenkins)
2011
- Wade Carey Interviews Academy 2011 Artist Jonathan Monaghan – East City Art(interview with Wade Carey)
- Artists Wanted, In Focus: SCOPE New York 2011 Group Booth(video interview with Artists Wanted)
2010
- Famous scenes skewered with sparkle, high-def – Washington Post (review by Jessica Dawson)